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We said: The title of this fascinating exploration of the disastrous ground-level effects of the neoliberal turn refers to 1992, when Spain hosted the Seville Expo, marking the quincentenary of Columbus’s arrival in the Americas, and the Barcelona Olympics. Far more than a ‘terminal illness’ movie or even a typical coming-of-age story, Murphy’s debut captures the humanity of suffering while resisting the need for sentiment or mawkish pandering.” (David Opie, S&S online), Read our review: Babyteeth bridges teen romance and terminal illness, Where to see it: On DVD, Blu-ray and digital platforms. We said: “In steady, sparing takes that often rest on Flanigan’s face – vivid despite its expressionlessness – the story unfolds with procedural curiosity. Check. A thrilling exposé that uncovers a vast trail of corruption following a fatal nightclub fire in Bucharest. Of course, Rick (Humphrey Bogart) eventually does the right thing, but watching him make both the Resistance and the Nazis squirm right up to the final scene is truly joyous.Read Empire's review of CasablancaBuy the film here, 1966Sergio Leone sets three renegades against each other in a treasure hunt backdropped against the chaos and madness of the American Civil War. Paul Walter Hauser portrays the security guard who discovered the Atlanta Olympics bomb only to find himself accused of planting it, in Eastwood’s all-American tale of apostasy. Great lines, superb sword fights and rodents of unusual size. Except, instead of a British secret agent, we get a freelance corporate dream-thief. Just, wow.Read Empire's review of True RomanceBuy the film here, 1959It says a lot about the magnitude of Billy Wilder's talent that he took a reportedly awful shooting experience with a pill-addled Marilyn Monroe and turned it into a movie that features what is arguably her best performance, not to mention one of his own finest features. Especially that "Singin' In The Rain" sequence, which remains one cinema's most deeply upsetting.Read Empire's review of A Clockwork OrangeBuy the film here, 1996Joel and Ethan Coen's snowy crime comedy is the best example of the 'crap criminal' subgenre, reminding us that wrongdoers are very rarely slick, professional types, and more usually people who are either inept or just winging it. Grounded by nuanced, unhistrionic work from leads Sopé Dìrísù and Wunmi Mosaku as the married Majur couple, His House shifts focus from exterior threat to the cracks in the marriage, exacerbated by disagreements about assimilation – though at the heart of the horror is a particular, personal crime which must be atoned for. And it has a sarcastic robot, too.Read Empire's review of InterstellarBuy the film here, 1941Orson Welles' game-changing fictional biopic, that managed to both launch his film career and ruin it at the same time (turns out it's not a good idea to piss off powerful newspaper magnates by viciously satirising them to a mass audience). Oh, and by the way: Nice Guy Eddie was shot by Mr. White. It also manages to wring every last drip of funny out of executing spot-on bombastic, Bayhem-style action in a sleepy English small-town setting.Read Empire's review of Hot FuzzBuy the film here, 1994It's the highest-ranking animated movie on this list, beating even Toy Story. What followed was a quick succession of smaller scale, more intimate works in various formats, including an excursion into virtual reality. ” (Alex Ramon), Read our review: Mangrove relays Black British struggles of the past, + Mangrove gives voice to Black British Power, + “These are the untold stories that make up our nation”: Steve McQueen on Small Axe, Where to see it: On BBC iPlayer and Amazon Prime. What’s really impressive too is its use of a prelapsarian mood to portray an America built on racial and social diversity.” (Nick James), Read our review: First Cow: Kelly Reichardt’s milk-rustling western rises like a treat, Where to see it: Yet to be released in the UK. And it still hurts.Read Empire's review of The Empire Strikes BackBuy the film here, Stanley Kubrick once described Francis Ford Coppola's adaptation of Mario Puzo's novel as the best film ever made, and we're hardly going to argue. It is, without doubt, a horror movie. Saint Maud is a compelling and impactful film, a remarkable debut, and one of the most human and empathetic horrors of recent times. Hittman’s previous films, It Felt like Love (2013) and Beach Rats (2017), were both coming-of-age stories. Larraín’s latest unleashes Mariana Di Girólamo as a peroxide pyromaniac dancer involved in a wild plot to reclaim her adopted son. Con la sua opera prima, intitolata "Sole", il 37enne regista italiano Carlo Sironi vince il premio come miglior rivelazione europea alla 33esima edizione degli European Film Awards (EFA). Unless you're the kind of shallow person who only watches movies that are 'entertaining'. (Kieron Corless), Where to see it: Not currently available in the UK, but available to stream on Vimeo-on-Demand in some territories. They’re present in Merrell’s novel, but vanished here. Perhaps, but it was also Hollywood that gave him immortality.” (Farran Smith Nehme), Read our review: Mank nips itself in the Rosebud, + Mank prints the legend of Hollywood as a gilded cage. (1967) è stato votato il miglior film ceco-slovacco di tutti i tempi con 33 voti in un sondaggio del 2007 di 53 esperti (principalmente dalla Repubblica Ceca, ma anche da Slovacchia e Polonia) dal titolo â¦ Caustic satirist Sacha Baron Cohen triumphs in his mission to restore Kazakhstan’s reputation with a smart evolution of his Borat character. Check. La vicenda è ambientata a Chicago nel 2035. Who fired twice. Rather, she is a catalyst, her strangeness stirring others into anger or action. While she outlines Berlin’s urban development across the 20th century, the camera glides over miniature models of the capital. Buy the book at AmazonBuy the movie at Amazon, Bauer Media Group consists of: Bauer Consumer Media Ltd, Company number: 01176085, Bauer Radio Ltd, Company Number: 1394141, Registered Office: Media House, Peterborough Business Park, Lynch Wood, Peterborough, PE2 6EA H Bauer Publishing,Company Number: LP003328, Registered Office: Academic House, 24-28 Oval Road, London, NW1 7DT.All registered in England and Wales. Marcello elaborates the story’s symbolic thrust through an ambiguous treatment of period. Of course, its greatest strength is in Natalie Portman, delivering a luminous, career-creating performance as vengeful 12-year-old Mathilda, whose relationship with the monosyllabic killer is truly affecting, and nimbly stays just on the right side of acceptable.Read Empire's review of LéonBuy the film here, 1976John G. Avildsen's boxing drama is the ne plus ultra of underdog sports movies. The two strands eventually converge in a hotel room, where Lee has hired Anong to give him a full body massage, which culminates in sex. All rights reserved. Where to see it: After lockdown postponed its release, the film is now slated for February 2021. Best thriller movies. Go on, admit it: You're still humming "Another Day Of Sun", aren't you?Read Empire's review of La La LandBuy the film here, 1994Robert Zemeckis' affable stroll through some of America's most turbulent decades, as seen through the childlike eyes of the simple-but-successful Forrest — the role which earned Tom Hanks his second Oscar in two years. They could be the guy sat right next to you, in fact...Read Empire's review of PsychoBuy the film here, 1968This epic ballad of revenge, redemption and the painful rooting of civilisation in the Old West is peak Sergio Leone. The Ross brothers’ poetic portrait of the denizens of a Las Vegas bar mixes documentary and fiction in a heady brew. “The brothers made Bloody Nose this way for many reasons, including ethical considerations (getting folks drunk while filming requires a certain level of control and familiarity, for example). Watch as many as you can. But it never feels crowbarred-in. It has malevolent monsters and horrified victims, and hums with a palpable sense of threat. Among the cultural specificity is a coming-of-age universality in young hero Chihiro, forced to fend for herself when her parents are turned into pigs, using her resourcefulness and her friendship with boy-dragon-spirit Haku to earn her freedom from the spirit world. Read here. (A milkshake-drinking vampire, if you feel like mixing our metaphor with his own.) Guida alla programmazione dei film nelle sale cinematografiche della tua città. Trust â¦ To take you on that journey where it gets to a point where it transcends, even beyond the people in the room. It’s really constructed to take the audience somewhere.” (S&S, December), Read our review: David Byrne’s American Utopia doesn’t burn down the house, + “If there was a song Spike Lee loved, we’d see him pop up in the aisle”: David Byrne on his concert doc American Utopia, Where to see it: On digital platforms from 14 December and on disc from 11 January 2021. Samuel L. Jackson, Christopher Walken, Gary Oldman, Brad Pitt, Val Kilmer, Dennis Hopper… Plus a pre-Sopranos James Gandolfini embroiled in brutal combat with Patricia Arquette. Koreeda’s naturalistic drama sees Catherine Deneuve play a monstrous movie star and Juliette Binoche the daughter outraged by her euphemistic memoir. It would be overpraising Kajillionaire to claim that it is the equal of anything by Aki Kaurismäki but there’s a similar blend here of the bleak and the blithe. Audition (1999) Film. So it’s jarring when, in its final moments, the film descends suddenly and steeply into the abyss, with a shockingly violent and nihilistic coda. We said: “Da 5 Bloods fires shots at American revisionism of the Vietnam War through the viewfinder of African-American soldiers. Stanley’s superficial charm and shameless self-interest is depicted with particular insight, and beautifully played by Michael Stuhlbarg. A down-on-her-luck New York playwright, desperate for a breakthrough before she turns 40, reinvents herself as rapper RadhaMUSprime. Where to see it: On BFI Player, Curzon Home Cinema and other digital platforms. And the big climactic action sequence is so huge it takes up almost half the movie and is actually three big action sequences temporally nested inside each other around a surreal, metaphysical-conflict core.Read Empire's review of InceptionBuy the film here, 1999After all the pre-release hype about how dark and brutal Fight Club was, one of the most surprising things to discover on seeing it was just how funny it actually was. It comprises a string of vignettes, almost all playing out in a single take, viewed by a locked-down camera with a static frame that holds its human subjects in the philosophical distance of a deep-focus long shot. Il film racconta la storia di un â¦ The very existence of this film – the product of the suburb, of racial and social solidarity – is something to be celebrated: a flower sprung from concrete. Scott del New York Times Borat â Seguito di film cinema , di Jason Woliner City Hall, di Frederick Wiseman & Colectiv, di Alexander Nanau And let's not forget how goddamn funny it is, too.Read Empire's review of Donnie DarkoBuy the film here, 2016As much a technical marvel as it is an acting tour-de-force, Damien Chazelle's Los Angeles love letter proved a ridiculously easy movie to fall in love with, even for those who may have grumbled that they weren't really into musicals before sitting down to watch it. As in his earlier experiments in hybrid storytelling, short clips interspersed throughout serve as lyrical counterpoints to the narrative. And it's exactly right that we still don't know what he whispered to her at the end.Read Empire's review of Lost In TranslationBuy the film now, Director Rob Reiner and writer William Goldman's affectionate pastiche of romantic fairy-tale stories that also works as an adventure on its own. Where to see it: On BFI Player, Curzon Home Cinema, Amazon Prime and other platforms from 27 November, and released on Blu-ray and DVD on 8 February 2021. Weekes stages a number of stunning moments – a pull-back from Bol sat at an unfamiliar table to show a chunk of the wall of his house floating in a remembered night-sea; and repeated manifestations by the formidable night witch and the skull-masked spectre of the lost girl. We said: “Glass’s film follows the story of a burned-out, self-harming young palliative care nurse looking for purpose, forgiveness and someone to save in a bleak seaside town, loomed over by a large house on the hill in which Amanda, a middle-aged American dancer with great taste in art deco wallpaper, is dying of cancer. While its ability to make you laugh is undiminished.Read Empire's review of Toy StoryBuy the film here, 1971The controversy surrounding Stanley Kubrick's pop-art visualisation of Anthony Burgess' dystopian mediation on violence and free will may have long-since subsided, but the film's no less powerful. It's all part of the deliciously dark and stylishly executed journey.Read Empire's review of OldboyBuy the film here, 1995It may have kicked off the whole CG-animation revolution (for better or worse), but it's not the once-novel visual medium which makes Pixar's first feature one of cinema's greatest treasures. As ever, though, QT's at his best in claustrophobic situations, with the tavern scene ramping up the tension to almost unbearable levels.Read Empire's review of Inglourious BasterdsBuy the film here, 2014If Damien Chazelle's semi-autobiographical drama taught us anything, it's that jazz drumming is more hazardous to learn than base jumping. A Seoul woman meets friends and makes conversation while her husband is on a business trip, in Hong’s latest characteristically talky, deceptively modest offering. A gang of bad guys terrorising the locals. Praticamente ogni rivista o sito ha la sua. While also making everyone examine some fundamental philosophical questions about reality. Though we shouldn't be too surprised — it remains one of Disney's most beautifully rendered films, an epic tale of dynastic dastardliness in the Animal Kingdom, with catchy songs and still one of the most distressing death scenes in a kids' movie since… well… Bambi.Read Empire's review of The Lion KingBuy the film here, 1952A joyous, vibrant Technicolor celebration of Da Moofies that's such an essential viewing experience there should perhaps be a law that it feature in every DVD and Blu-ray collection. As an artist, you wish to be invited, and that’s what happened. All four leads are excellent, but Florence Pugh quietly steals the show as Amy.” (Nikki Baughan), Read our review: Little Women emancipates Louisa May Alcott’s spirited sisters. It's precision-engineered: apart from the carefully inserted Sammy Jankis subplot, every scene lasts as long as the span of damaged protagonist Leonard Shelby's short-term memory, as well as running in reverse order. Taking in bathhouses, spirits of Shinto folklore, and morality without clear-cut distinctions of good and evil, Hayao Miyazaki's major crossover hit is distinctly Japanese. This culture-clash chamber piece finds wit as well as heartache in four migrants’ exile to the dampest corner of Europe – Scotland. Quartet'. We said: “Poignant and intensely moving, Days gestures towards a reconciliation with themes of desire and sexuality that have troubled Tsai’s cinema since the beginning. La classifica dei 100 migliori film di sempre secondo Movieplayer.it. It's so mythically potent, you sense in time it could become a bona-fide religion...Read Empire's review of Star WarsBuy the film here, 1975Forty-five years young, and Spielberg's breakthrough remains the touchstone for event-movie cinema. “This is reinforced rather than offset by Marcello’s signature use of archival footage. As star Don Lockwood, Gene Kelly brings a sense of exasperation at the film industry's diva-indulging daftness, making it a gentle piss-take, too.Read Empire's review of Singin' In The RainBuy the film here, 1984As high-concept comedies go, Ghostbusters is positively stratospheric — a story of demonic incursion… with gags! But Edgar Wright, Simon Pegg and Nick Frost's first feature is genuinely stand-alone: a savvy blend of proper-funny comedy and seriously gruesome undead-horror which, funnily enough, played a big part in the zombie-movie resurgence we're still enjoying now.Read Empire's review of Shaun Of The DeadBuy the film now, 1973William Friedkin's horror masterwork — in which a 12-year-old girl is possessed by a demon — has a reputation as a shocker (in the good sense), with the pea-soup vomit, head-spin and crucifix abuse moments the most regularly cited. We said: “Adding an entirely unexpected new register to the filmography of an already dazzlingly eclectic filmmaker, Larraín’s Ema is about as lovable as a genius-level sudoku puzzle, but in it, the cinema of what-the-hell-did-I-justwatch uncategorisability has a new title for its pantheon. We said: Jonathan Romney spoke to Kaufman about his film, and his new novel Antkind, for our October issue. The undine of lore comes out of the water to find love and thus obtain a soul. Gerwig focuses on the novel’s key coming-of-age themes rather than individual moments: the loss of childhood, the importance of forging one’s own path, tentative steps towards female emancipation. Where the film does chime magnificently is in the performance of Delroy Lindo as Paul, and the suggestion that past failings undermine present-day relationships. People with families, hobbies, traditions and songs. It's still one of the best-scripted Marvels, and we've yet to see a villain on more entertainingly nefarious form than Tom Hiddleston's Loki was here.Read Empire's review of Avengers AssembleBuy the film here, 1997Twenty years on, and still nobody's made a better James Ellroy adaptation than Curtis Hanson and Brian Helgeland's boldly streamlined take on the heavy-plotted third novel in Ellroy's 'L.A. Is it really better than the original? Elisabeth Moss is tormented by an unseen assailant in a smart, timely update of the horror mainstay. We said: “The film seems to embody Indian cinema in the contemplative tradition of Satyajit Ray or Mani Kaul, but also makes room for the lurid realities of Indian TV talent shows. We said: “This is a highly personal story about being torn between ‘making it’, selling out, and forging a path as an MC. Bacurau is a small impoverished town in the arid north-eastern hinterlands of Brazil; but it’s also a utopia of sorts, with its tight-knit community who stand firm against exterior threats. It was Black people seeing other Black people, feeling what they were feeling, and a Black director, a Black cinematographer, and the fact they could see each other and vibe off each other – and be each other, as you rightly said – that’s what happened. From the effects of gravity to the emotional implication of time dilation, it mixes science and sentiment to great effect. Lawrence's (Peter O'Toole) Arab-uniting efforts against the German-allied Turks during World War I. : a children's adventure which carefully beds its supernatural elements in an utterly relatable everykid world, and tempers its cuter, more sentimental moments with a true sense of jeopardy.Read Empire's review of E.T.Buy the film here, 2009From its Sergio Leone-riffing opening to its insanely OTT, history-rewriting finale, Tarantino's World War II caper never once fails to surprise and entertain. It's also perfectly cast: DiCaprio and Damon as the facing-off moles, Nicholson as the Whitey Bulger-esque Mob boss and (arguably best of all), Mark Wahlberg as America's sweariest cop.Read Empire's review of The DepartedBuy the film here, 1980Stanley Kubrick's elegant adaptation of Stephen King's haunted-hotel story — starring a wonderfully deranged Jack Nicholson — is often cited as The Scariest Horror Movie Ever Made (perhaps tied with The Exorcist), but it's also the Least Suitable Movie To Watch On Father's Day Ever. Where to see it: On BFI Player, Curzon Home Cinema and other digital platforms. Portrayed as an über-ruthless ultra-nerd by Jesse Eisenberg, it's fair to say the Facebook founder came out of David Fincher's social-media drama smelling less of roses than the stuff you grow them in. Associate director Anuradha Henriques describes ‘a shared value system’ led by the voices of Black and Brown women telling stories as an antidote to traditional, top-down filmmaking. As the movie year winds down, I would like to express my gratitude to Martin Scorsese.
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